Here’s a simple guide to the equipment and materials I use throughout the School of Botanical Art tutorials. You don’t need to buy everything at once, and where possible I’ll suggest alternatives so you can build your kit gradually.
You don’t need every colour to begin. These are the Sennelier colours I use most often in my tutorials, and you can gradually add to your palette as you work through different subjects.
To help those of you who use Winsor & Newton I have created a conversion chart, which you can download below.
My Sennelier paint colours
NEW to my list
Extra colours that I use occasionally
A small selection of good-quality pointed brushes will cover most of what you need. The key is to choose brushes that hold plenty of water while still coming to a fine point for detail.
I mainly use hot pressed, 100% cotton watercolour paper, as it has the resilience needed for detailed botanical painting.
My preferred paper is Saunders Waterford Hot Pressed, High White. I use full sheets in 300gsm, 425gsm and 640gsm weights, as well as 300gsm blocks.
I also occasionally use Fabriano Artistico Extra White, Enhanced Quality. If you are buying this paper, look for the sticker and the watermark, which runs around one corner of the sheet.
If you are new to botanical painting, Saunders Waterford is a very good paper to start with.
When buying sheets, always choose 100% cotton paper where possible. Rather than buying a large pad straight away, try purchasing one sheet at a time from your local art shop. Make a note of the brand, weight and surface finish, and if you enjoy working on it, you will know exactly what to buy next time. If it does not suit you, you can simply try another paper. This is a good way to experiment without wasting money.
Keep any offcuts and scraps, as they are very useful for practising techniques, testing colours and matching washes.
Once you have the basic materials above, you have everything you need to begin exploring Billy’s botanical tutorials. Start with the School Techniques lessons to build confidence with colour mixing, brush control and washes, then move on to a subject that inspires you.